The Oxford History of Poetry in English: Volume 5. Seventeenth-Century British Poetry
Laura L Knoppers (ed.)
Published:
2024
Online ISBN:
9780198930259
Print ISBN:
9780198852803
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The Oxford History of Poetry in English: Volume 5. Seventeenth-Century British Poetry
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Emma Depledge
Pages
83–95
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Published:
July 2024
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Depledge, Emma, 'Poetry, Publishers, and Print', in Laura L Knoppers (ed.), The Oxford History of Poetry in English: Volume 5. Seventeenth-Century British Poetry (
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Abstract
This chapter focuses on the three most prominent publishers in seventeenth-century London—Humphrey Moseley, Henry Herringman, and Jacob Tonson—to demonstrate how stationers helped to craft the canon of English poetry through what they published, the material forms in which it circulated, and also through what they chose not to publish. As illustrated through analysis of print editions of John Milton, John Dryden, and Katherine Philips, a book’s format, mis-en-page, typeface, paratexts, price, contents, paper, and the arrangement of poetic texts within it all shape meaning, access, and collection habits in important ways. Further, the chapter argues that texts and authors were not simply selected for publication on the basis of perceived commercial demand but also to correspond to the professional strategies and ambitions of individual publishers. Thus, in helping to canonise specific authors and poems, publishers often sought not simply to make money but also to shape their own reputation and legacy.
Keywords: Henry Herringman, Jacob Tonson, Humphrey Moseley, John Milton, Abraham Cowley, Katherine Philips, John Dryden, print, book trade, book history
Subject
Literary Studies (Civil War and Restoration) Literary Studies (Poetry and Poets) Literary Studies (British and Irish)
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